摘要

During the first four decades of the 20th century, a system of ideas about the evolution and systematics of humans and other primates coalesced around the work of George Gaylord Simpson and W. E. Le Gros Clark. Buttressed by the new physical anthropology of the 1950s, that system provided an authoritative modela disciplinary matrix or paradigmfor the practice of that aspect of biological anthropology. The Simpson-Le Gros Clark synthesis began to unravel in the 1960s and collapsed in the 1970s under the onslaught of cladistic systematics. The cladistic revolution resembles a paradigm shift of the sort proposed by Thomas Kuhn because it was driven, not by new biological discoveries or theories, but by a change in aesthetics.

  • 出版日期2018-4