Audiological and electrophysiological assessment of professional pop/rock musicians

作者：Samelli Alessandra G^*; Matas Carla G; Carvallo Renata M M; Gomes Raquel F; de Beija Carolina S; Magliaro Fernanda C L; Rabelo Camila M

来源：Noise and Health, 2012, 14(56): 6-12.

DOI：10.4103/1463-1741.93314

• Auditory evoked potentials
• auditory pathways
• auditory stimulation
• auditory threshold
• evoked otoacoustic emissions
• music

In the present study, we evaluated peripheral and central auditory pathways in professional musicians (with and without hearing loss) compared to non-musicians. The goal was to verify if music exposure could affect auditory pathways as a whole. This is a prospective study that compared the results obtained between three groups (musicians with and without hearing loss and non-musicians). Thirty-two male individuals participated and they were assessed by: Immittance measurements, pure-tone air conduction thresholds at all frequencies from 0.25 to 20 kHz, Transient Evoked Otoacoustic Emissions, Auditory Brainstem Response (ABR), and Cognitive Potential. The musicians showed worse hearing thresholds in both conventional and high frequency audiometry when compared to the non-musicians; the mean amplitude of Transient Evoked Otoacoustic Emissions was smaller in the musicians group, but the mean latencies of Auditory Brainstem Response and Cognitive Potential were diminished in the musicians when compared to the non-musicians. Our findings suggest that the population of musicians is at risk for developing music-induced hearing loss. However, the electrophysiological evaluation showed that latency waves of ABR and P300 were diminished in musicians, which may suggest that the auditory training to which these musicians are exposed acts as a facilitator of the acoustic signal transmission to the cortex.

• 出版日期2012-2