科研之友
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摘要
This commentary to Vanhoutte and Wynants%26apos;s paper %26quot;Performing phenomenology: negotiating presence in intermedial theatre%26quot; tries to ascertain whether the dialectics between the real and the virtual in CREW%26apos;s artistic and technological experiments, which the authors call a %26apos;strategy,%26apos; implies an a-priori relation that is hard to reconcile to the ethos of discovering through doing proposed by postphenomenological research, and to an %26apos;empirical turn%26apos; based in case studies and descriptive concreteness suggested by a %26apos;pragmatic phenomenology.%26apos; I propose that the shift from live to mediated perception in CREW%26apos;s experimental productions, producing a multistable ontology, is less occasion for strategic dialectics and Benjaminian %26apos;illumination%26apos; of our mediatized culture, than for an analytic perspective on what actually happens when the shift occurs and what this tells us about our relationship to digital technologies of reproduction.
- 出版日期2013-3
