摘要
This article undertakes the political position of three German artists in the agitated seventies. Joseph Beuys was along its professional life a politically committed artist. The fight against the middle-class elitism, the representative democracy and the protection of the environment marked their life. He proposed a strategy to transform society radically. An analysis of their proposals makes us reject their theories about politics and culture, not thus their estimable and brilliant economic theory. Vostell was a tactical artist who graciously understood that the cultural industry is not only the weapon of the established power, but also the plot of our time, and, for that reason, he fought the enemy with his own means. On the other hand the young Immendorff confused politics morals, while the mature Immendorff arrived at the comfortable beach of the cynicism Este art赤culo aborda la postura pol赤tica de tres artistas alemanes en los agitados a os 70. Joseph Beuys fue a lo largo de su vida profesional un artista pol赤ticamente comprometido. La lucha contra el elitismo burgu谷s y la democracia representativa y la defensa del medio ambiente marcaron su vida. 谷l propuso una estrategia de transformaci車n radical de la sociedad. Un an芍lisis de sus propuestas nos hace rechazar sus teor赤as de la pol赤tica y de la cultura, no as赤 su estimable y acertada teor赤a econ車mica. Vostell fue un artista t芍ctico quien comprendi車 l迆cidamente que la industria cultural no es s車lo el arma del poder establecido, sino tambi谷n la trama de nuestro tiempo, y, por eso, combati車 al enemigo con sus propios medios. Por su parte el joven Immendorff confundi車 pol赤tica con moral, y el Immendorff maduro arrib車 a la confortable playa del cinismo.
- 出版日期2006