摘要

The Guangzhou Asian Games of 2010 was the deliberate outcome of an intense regional rivalry, a careful national balancing act and a geopolitical marketing momentum embedded in a provincial and civil reconstruction that mirrored a wider national reconstruction: Guangdong and Guangzhou - the city', the Games City and Chinese performances were statements about the controlled advance of the Middle Kingdom' to a regained hegemonic status in the western Pacific. This is a verbal and visual depiction of the cosmopolitanism and confidence of the New China: word and picture meshed to demonstrate vividly the modern ascendancy of the Middle Kingdom'.

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