摘要

Following the trend of cities throughout the United States subsidizing new baseball stadiums within their economic redevelopment strategies, in 2005, the city government of Washington, D.C. agreed to subsidize the construction of Nationals Park for the use of the Washington Nationals baseball team. In its design of the stadium, HOK Sport architects sought to represent the "transparency of democracy" as they were inspired by the democratic image and iconography of the US Capital city. Using a perspective based in Lefebvre's (1991b) production of space, I explore the power relations produced and reproduced within spatial and cultural production. I argue that instead of creating an inclusive space, architects designed a space that exemplifies the late capitalist moment in its focus on consumption, social control, and aesthetic production. Nationals Park, thus, excludes people by class, privileges visitors over residents, and provides an unrealistic view of the city that marginalizes less powerful groups.

  • 出版日期2010-12