摘要

This article studies how the ethical choice of the authors in The Displaced refines literature. Facing the post-2016 risk of being deidentified, these 18 immigrant writers then living in Euro-America address themselves as “refugees”, disidentifying themselves with western ideology, and thus communitying literature through communitying its writer, its writing, and its objective. In dispossessing western ideology, “refugee” authors transcend the Subject-Other division established by western ideology, communitying with the refugees under their pen. In this way, they speak as and for global refugees, visioning a harmonious human community in which people live together in friendship and love rather than separation and hatred.